Crimson Moonlight’s first foray into music (excluding the “Glorification of the Master of Light” demo) was the “Eternal Emperor EP,” which was essentially a shameless rip-off of Dimmu Borgir. At the time – roughly 1998 – both bands were toiling away at the symphonic black metal motif. Well, we all know the path DB has taken as of late; but Crimson Moonlight is a much different story.

“The Covenant Progress,” the band’s return from silence, was extolled because it was much more original than their previous album, displayed musical progression, and incorporated originality into the mix. Now, the world has just witnessed the release of “Veil of Remembrance,” which is an album that finds the band at their most aggressive and innovative yet. Upon hearing the first few seconds of “Intimations of Everlasting Constancy,” it’s decipherable that the guys are extremely pissed off this time around. The furiously angry Swedes step to and fro with speedy, black metal renderings. Comparisons to Dimmu Borgir, Antestor, and Immortal will still rise occasionally, but “Veil of Remembrance” relies much less on influences than past excursions. I also found myself supremely enjoying the different vocal takes. Yes, black metal vocalizations occupy the forefront but death vox and screams also run rampant. All compositions basically begin in the same way, and that could be construed to be a weakness. However, if sheer aggression is one of your favorite attributes, then you are in luck. “The Cold Grip of Terror” commences with a passage that is highly reminiscent of Extol’s earlier days, circa “Burial.” But, for the most part, Crimson Moonlight are able to establish their own distinct sound.

As you can tell, I believe the group in question has a very bright future. If “Veil of Remembrance” is any indication, we should be in for quite a treat with their next release. I expect this to be in my top ten list for 2005, but only time will tell.

[This review was first published on the now defunct scandinavianmetal.info webzine]